You probably know her as the Queen in the North or a world-class jewel thief, but before the massive blockbusters and the paparazzi frenzies, there was a quiet, eerie little film that almost slipped through the cracks. It's called Another Me. Released in 2013, it features a teenage Sophie Turner right as her Game of Thrones fame was beginning to simmer.
Honestly, if you're looking for the typical high-octane thriller, this isn't it. It's weirder. Darker. It’s a psychological slow-burn that focuses more on the crumbling of a family than it does on jump scares. But for fans of Turner, it’s a vital piece of her history because it shows her carrying a movie almost entirely on her own shoulders.
Why Another Me Sophie Turner Is Worth a Second Look
Most people missed this one because it came out right when doppelgänger movies were suddenly everywhere. You had Enemy with Jake Gyllenhaal and The Double with Jesse Eisenberg. Another Me got a bit lost in the shuffle.
But here's the thing: it’s actually based on a pretty popular Young Adult novel by Catherine MacPhail. The story follows Fay, a girl whose life is basically falling apart. Her dad (played by the always-reliable Rhys Ifans) is dealing with a diagnosis of multiple sclerosis. Her mom? She’s having an affair with Fay’s drama teacher, played by Jonathan Rhys Meyers. It’s a lot for a kid.
Then, the "other" appears.
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People start seeing Fay in places she’s never been. They mention conversations she never had. At first, it feels like a prank or maybe a case of mistaken identity. But then it gets personal. This double starts taking over her life—attending her rehearsals, talking to her boyfriend, and eventually, trying to replace her entirely.
The Realism Behind the Ghost Story
Director Isabel Coixet didn't go for big CGI monsters here. She used the setting—a somewhat dreary, grey British housing estate—to make everything feel claustrophobic. It’s a mood. Some critics back in the day called it "dull," but if you watch it now, it feels more like an exploration of adolescent anxiety.
Fay is cast as Lady Macbeth in her school play. It's not a coincidence. The themes of guilt and madness in Shakespeare’s play mirror what’s happening in her own head. Is she actually being stalked by a twin? Or is the stress of her father's illness and her mother's betrayal causing her to fracture?
That Ending Explained (Sort Of)
If you’ve seen the movie, you know the ending is what sticks with people. It’s one of those "wait, what?" moments that makes you want to go back and re-watch the whole thing for clues.
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Spoiler alert: The big reveal is that Fay actually had a twin sister, Layla, who died (or was supposed to have died) during a late-term miscarriage. The "Other Me" is Layla, coming back to claim the life she never got to live.
By the final scene, we realize that the girl we’re looking at—the one who "won"—isn't Fay. It’s Layla. She’s successfully swapped places. It’s a cynical, haunting way to end a movie, especially for a YA adaptation. It doesn’t give you that warm, fuzzy feeling of a hero winning. It’s a total takeover.
Breaking Down the Cast
While Sophie Turner is the draw, the supporting cast is surprisingly heavy-weight for an indie thriller:
- Rhys Ifans: He brings a lot of heart as the father. His performance is probably the most grounded thing in the movie.
- Jonathan Rhys Meyers: He plays the "sketchy teacher" role a little too well. You never quite trust him, which is exactly the point.
- Gregg Sulkin: He’s the love interest, Drew. He’s mostly there to be a victim of the double’s manipulation, but he has good chemistry with Turner.
- Claire Forlani: As the mother, she has to play someone who is grieving and guilty at the same time.
Is It Actually Good?
Look, it’s not The Silence of the Lambs. It’s a 4.7/10 on IMDb for a reason—it’s slow. Very slow. If you need a plot point to happen every five minutes, you’re going to be bored.
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However, if you like "vibe" movies—films where the atmosphere does more work than the script—it’s actually quite good. Jean-Claude Larrieu’s cinematography is beautiful in a bleak, British way. The use of mirrors and reflections is constant, reminding you that there’s always someone watching from the other side.
For Sophie Turner fans, it’s a masterclass in her early range. She had to play Fay as someone who is terrified but also somewhat complicit in her own undoing. She doesn’t have the armor of Sansa Stark here. She’s just a kid in a hoodie trying not to lose her mind.
Actionable Insights for Your Next Watch
If you're planning to check out Another Me, here is how to get the most out of it:
- Watch the reflections: Almost every scene involves a mirror, a window, or water. Pay attention to what's happening in the background.
- Compare it to the book: If you're a reader, Catherine MacPhail’s novel is a bit more straightforward with the "ghost" elements. The movie leans more into the psychological "is she crazy?" angle.
- Check the hair: Fay’s hair is a major plot point. She cuts it into a messy bob to try and distinguish herself from her double. It’s a visual cue for her losing control.
- Pair it with Enemy: If you want a doppelgänger double feature, watch this alongside Denis Villeneuve's Enemy. It’s fascinating to see how two different directors handle the exact same concept.
Ultimately, Another Me is a time capsule. It’s a glimpse of a future superstar finding her footing in a genre that doesn't always get the respect it deserves. It’s messy and a bit predictable, but it’s also deeply atmospheric and genuinely unsettling in its final moments.
To fully appreciate the film's nuances, try to find a high-definition stream where the lighting details aren't lost in the shadows. Pay close attention to the sound design, specifically the muffled footsteps that Fay hears—they are often panned to one side of the audio to make you feel as paranoid as she is. Finally, if you enjoy the themes of identity and twins, look into the "Fetch" folklore of British and Irish mythology, which heavily influenced the original story.