It’s been almost three years since the first night in Glendale, and honestly, the scale of the all Taylor Swift Eras Tour outfits collection still feels impossible. We aren’t just talking about a few costume changes here. We are looking at a wardrobe that eventually ballooned to over 120 unique pieces and combinations. When Taylor stepped out in that first custom Versace bodysuit, nobody really knew we’d spend the next two years tracking hemline shifts and bead counts like it was a full-time job.
Fashion is rarely just about looking good for Taylor. It’s a language.
Every single sequin on those Louboutin boots was a deliberate choice by her stylist, Joseph Cassell Falconer. If you were lucky enough to catch a show in 2023 versus the revamped 2024 or 2025 legs, you saw a completely different evolution of the stage aesthetic.
The Foundation: Lover and Fearless
The show always kicked off with the Lover era. It’s bright. It’s optimistic. It’s also incredibly heavy—those Atelier Versace bodysuits are basically armor made of crystals. While the "sunset" pink and blue version is the one everyone recognizes from the movie, she eventually introduced a variety of shades, including an all-pink version that debuted in Argentina and a stunning orange-gold variant for the European leg.
Then she’d dive into Fearless.
This section was a massive nostalgia trip. She didn't just wear "a gold dress." Roberto Cavalli’s Fausto Puglisi created a fringe masterpiece that was a direct, high-fashion glow-up of her 2009 tour dress.
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- The Fringe Factor: There’s the classic gold-to-silver ombré mini.
- The "New" Fearless: Later in the tour, she added a black and gold flapper-style dress that felt a bit more mature but still kept that 2009 energy.
The Chaos of the Red T-Shirts
Let’s talk about the Red era because that’s where things got cheeky. The "22" outfit—black fedora, Ashish shorts, and the white t-shirt—became a literal billboard for Easter eggs.
Remember the "Not a lot going on at the moment" shirt? She started swapping the text. Suddenly it was "A LOT going on at the moment" (teasing Speak Now TV). Then "Who’s Taylor Swift anyway? Ew." By the time she hit Paris in 2024, she was wearing a shirt that said "This IS NOT Taylor’s Version," which sent the internet into a predictable meltdown.
It's the only part of the show where the outfit feels "casual," but ironically, it’s the one fans analyzed the most.
Folkmore: The Gown Evolution
When she combined the folklore and evermore sets for the later legs of the tour, the wardrobe changed too. We lost some of the individual era distinctions, but we gained those incredible Alberta Ferretti gowns.
These dresses are light. They’re airy. They’re designed to catch the wind—or the "willow" stage fans—perfectly. She had them in cream, pink, green, and a deep purple. If you look closely at the green one, it has intricate leaf embroidery that you can’t even see from the nosebleeds, but it’s there. That’s the level of detail we’re dealing with.
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The TTPD Shift: "Female Rage: The Musical"
The biggest wardrobe shake-up happened when The Tortured Poets Department was added to the setlist. This wasn't just a new song; it was a total aesthetic pivot.
Enter: Vivienne Westwood.
The custom white "Fortnight" gown is perhaps the most complex piece of the entire tour. It looks like crumpled parchment paper. It’s literally scrawled with lyrics: "I love you, it’s ruining my life." It’s Victorian, it’s messy, and it’s a sharp contrast to the high-glitz sparkles of the rest of the show.
She’d eventually shed the gown to reveal a black-and-white circus-style co-ord for "I Can Do It With A Broken Heart." It was a meta-commentary on her own life—the "showman" hiding the heartbreak.
Reputation: The One That Never Changed (Mostly)
There is one major outlier in the all Taylor Swift Eras Tour outfits saga: the reputation bodysuit.
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For nearly the entire tour, Taylor wore the same asymmetrical, one-legged black bodysuit with red sequined snakes. It was designed by Roberto Cavalli and became a symbol of the era's stubbornness. Fans spent years waiting for a "Rep TV" outfit change—a new color, a new snake—but she never gave it to them until the very end.
Why? Maybe it was to represent that the "Old Taylor" was still locked in that specific time. Or maybe she just really liked that one suit. Either way, it became a running joke in the fandom.
The Final Count and Designers
To keep track of everything, you have to look at the sheer volume of custom work. Christian Louboutin reportedly made over 250 pairs of custom shoes for this tour alone.
| Designer | Key Eras |
|---|---|
| Atelier Versace | Lover, The Man blazers |
| Roberto Cavalli | Fearless, 1989, Reputation |
| Alberta Ferretti | folklore, evermore |
| Vivienne Westwood | The Tortured Poets Department |
| Oscar de la Renta | Midnights |
| Nicole + Felicia | Speak Now ballgowns |
| Zuhair Murad | Midnights (variations), TTPD rompers |
Practical Insights for the Fashion-Obsessed
If you’re trying to recreate these looks or just understand the "why" behind them, here’s the reality: these outfits are built for endurance.
Those Midnights bodysuits by Oscar de la Renta have over 5,300 hand-sewn crystals. They have to withstand three hours of sweat, rain, and frantic dancing. If you're DIY-ing your own "Eras" look, the secret isn't just the sparkles; it's the structural support. Most of Taylor's bodysuits are built over a corset base to keep everything in place while she’s sprinting across a football-sized stage.
Actionable Steps for Fans and Collectors:
- Track the Variations: If you’re a completionist, use sites like Taylor Swift Style to see the micro-differences in the 1989 "mismatched" sets. She started mixing and matching different colored tops and skirts (blue, pink, yellow, orange) toward the end of the tour.
- Look at the Shoes: The "Red" era loafers are actually custom Louboutins. If you want the look without the $1,000 price tag, look for patent leather Oxfords with a slight platform.
- Easter Egg Hunting: Always check the jewelry during the Acoustic/Surprise Song set. She often wore rings or necklaces that hinted at the next "Taylor's Version" release.
The Eras Tour wasn't just a concert; it was a 22-month-long fashion show. By the time the final curtain fell in Vancouver, we had witnessed a career’s worth of style condensed into one stage. It was a lot to take in. Honestly, it was probably a lot to wear, too.